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Dr Charlotte Farrell

Dr Charlotte Farrell

Lecturer
Arts, Design & Architecture (ADA)
School of the Arts and Media

Charlotte Farrell is Lecturer in Theatre and Performance Studies at the University of New South Wales. Her research examines contemporary live performance and its relationship to bodies, affect, and social space. With a particular investment in queer and feminist performance making, Charlotte鈥檚 research is articulated through historically-situated written accounts, as well as her own embodied art practice. She is the author of the book, Barrie Kosky on the Contemporary Australian Stage: Affect, Post-Tragedy, Emergency (Routledge, 2021) and co-author of How to Play in Slow Time: Creativity, Pedagogy, Process (Brill, 2025).

Charlotte's work has been published in the Journal of Dramatic Theory and Criticism, Contemporary Theatre Review, Theatre Survey, Somatechnics, Peripeti, Media International Australia, RealTime Arts, and the books, Corporeality and Culture and Barrie Kosky's Transnational Theatres. In New York City where she was based from 2013-2020, Charlotte held positions as Segal Theatre Center Visiting Scholar at CUNY, Director of Rox Contemporary Art Gallery, Executive Director of CPR - Center for Performance Research, and Adjunct Instructor in the Dramatic Literature Program at NYU. In 2023, Charlotte co-founded performance company Body of Work with multi-award winning performance artist, Betty Grumble. Currently, she lives on the unceded lands of the Gadigal and Wangal Peoples.

Location
Robert Webster, 112
  • Books | 2025
    Trezise B; Farrell C; Talamo A; White M, 2025, How to Play in Slow Time, BRILL,
    Books | 2021
    Farrell C, 2021, Barrie Kosky on the Contemporary Australian Stage: Affect, Post-Tragedy, Emergency,
  • Book Chapters | 2021
    Farrell C, 2021, 'Dramaturgies of Repetition and the Denial of Catharsis: Traumatic Breaking Points in Barrie Kosky鈥檚 Approach to Character', in Global Germany in Transnational Dialogues, Springer International Publishing, pp. 105 - 122,
    Book Chapters | 2016
    , 2016, 'Moved to Tears: Performance, Affect, Becoming, Emergency', in Corporeality and Culture, Routledge, pp. 39 - 52,
    Book Chapters | 2016
    Farrell C, 2016, 'Moved to tears: Performance, affect, becoming, emergency', in Corporeality and Culture: Bodies in Movement, pp. 21 - 34,
    Book Chapters | 2015
    Farrell C, 2015, 'Moved to tears: Performance, affect, becoming, emergency', in Corporeality and Culture: Bodies in Movement, pp. 21 - 34
  • Journal articles | 2024
    Farrell C, 2024, 'Playing Dead: The Post-Tragic Impact of Child Actors in Simon Stone鈥檚 (2020) and Anne-Louise Sarks and Kate Mulvany鈥檚 (2012) Medea', Contemporary Theatre Review, 34, pp. 48 - 65,
    Journal articles | 2018
    Farrell C, 2018, 'Trembling Specters: Barrie Kosky's Women of Troy as Post-Tragedy', Journal of Dramatic Theory and Criticism, 32, pp. 105 - 116,
    Journal articles | 2015
    Farrell C, 2015, 'Intimacy Across Visceral and Digital Performance', SOMATECHNICS, 5, pp. 105 - 108,
    Journal articles | 2014
    Farrell, C ; Buck, H , 2014, 'Transduction: Refilming in the SAT Dome', Arche虂e, pe虂riodique e虂lectronique,
    Journal articles | 2012
    Farrell C, 2012, 'Barrie Kosky's The Lost Echo: Rethinking Tragic Catharsis through Affective Emergenc(e)y.', Peripeti, pp. 67 - 76
    Journal articles | 2011
    Farrell C, 2011, 'When Blood and Bones Cry Out: Journeys through the Soundscape of Healing and Reconciliation', MEDIA INTERNATIONAL AUSTRALIA, pp. 164 - 165,
  • Performances (Music, Theatre, Dance) | 2023
    Farrell C; Gibson E-M, 2023, Old Fitz Theatre, Publication: A Midsummer Night's Cream, Performances (Music, Theatre, Dance),
    Performances (Music, Theatre, Dance) | 2022
    Farrell C; Spence V, 2022, Performance Space, Sydney, Publication: Roundup, Performances (Music, Theatre, Dance),
    Other | 2015
    Farrell C, 2015, Intimacy Across Visceral and Digital Performance, EDINBURGH UNIV PRESS,
    Other | 2011
    Farrell C, 2011, When Blood and Bones Cry Out: Journeys through the Soundscape of Healing and Reconciliation, UNIV QUEENSLAND PRESS,